foreseen earlier in the year, when the state of Massachusetts called a
Constitutional Convention to prepare several important amendments. For
several years there had been apprehension not only about the amount of
state aid that was being disbursed, but about movements that were
already started to demand similar aid for sectarian schools. There was
also a growing insistence that public funds be used exclusively to
provide public education. The amendment that was submitted to the
electorate specified that no grant should be made for aiding any
college not publicly owned and exclusively controlled. Friends of
colleges that had previously been aided succeeded in inserting a
clause to the effect that legal obligations already entered into would
be carried out. This clause protected the Institute until the
termination of its ten-year grant in 1922. Even so, to all but a few
courageous members of the college the damage appeared to be
irreparable.
Student activities shared the disrupting influence of the war, not
only because the college was in no mood for play, but because so many
of the campus leaders had withdrawn for war service. Athletic
schedules were curtailed, and minor sports were abandoned. Worcester
was overwhelmed by most of its football opponents in 1917, winning
only from Rensselaer. That winter basketball was introduced as a major
sport, but Worcester had only moderate success in its seven-game
season.
The last dramatic production was the Tech Show of 1917, "Too Many
Redheads," written by John F. Kyes, Jr., and Oscar H. Forsdale, and
staged with much success just prior to the declaration of war. The
1918 Commencement was a subdued as well as an early event. Class Day
and other class parties were omitted, and the smallest class,
sixty-three, in more than a decade was graduated.
The journal became mired in financial difficulties in 1917, due
chiefly to the failure of alumni to pay subscriptions that they had
pledged to the Field Fund. One issue a year was given up, in order to
reduce printing costs, and in 1918 the
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